Ink vs. accent, and how the dot moves
Cyan when the dot completes. It ends a sentence or sits whole in frame — the arrival, delivered (
3a,
3d,
3f).
Ink when the dot looms. Cropped by an edge, too big to contain — the mass of unfinished work (
3b,
3c,
3e). A cropped dot is never cyan: an interrupted accent is a broken promise. Max one cyan element per piece.
How the giant dot enters. By scale, centered on its final position: 0→100% in 600ms, cubic-bezier(0.3, 0, 0.1, 1), no overshoot — mass doesn't bounce. At most a 2% settle in the last 120ms. Cropped ink dots instead slide in from their off-frame side, same curve, 800ms.
The video ending. Sentence on screen, ordinary period. Hold 400ms. The period turns cyan on the exact frame growth begins, then grows to the brand mark over 700ms cubic-bezier(0.7, 0, 0.15, 1), drifting to frame center; the type fades out during the first 40% of growth. Hold the end frame ≥2s. Same law as systems 01–02: the dot is earned.
type: Schibsted Grotesk 700, tracking −0.02 to −0.035em
period bottom tangent = baseline · mass never bounces